![]() Separation Studio is powerful, easy to use color separation and artwork generator tool designed exclusively for Mac. Prepare your artworks like T-Shirt for production and printing. This is done using our semi-automatic stack-cutter.ħ) We inspect the bound editions to check on any post-production needs such as erasing smudges.Ĩ) We wrap, bag, or otherwise package prints for pickup and place on our "outgoing" shelf.ĩ) We arrange a pickup or prepare for mailing.Creative Artwork Designs are Made Easy. ![]() It can become quite intimate.Ħ) We begin the trimming process, gathering anywhere from 5-20 books at a time depending on size, trimming one side at a time beginning with long edge then following up with short edges. This is sometimes done using a semi-automatic saddle-staple binder. For larger projects this can become a long chain.Ģ) We gather one of each sheet, stack in order, then trim and then cross-reference your preview PDF to bind a single dummy.ģ) Once we've confirmed the correct order, we cycle through sheet stacks to produce a stack of organized books.Ĥ) We quality-check to ensure each page is properly printed as we collate.ĥ) We bind in the appropriate method, pre-trimming any needed sides to ensure clean. ![]() Think “newspaper” rather than “fine photo print.”įeel free to reach out with any specific questions.ġ) We send a single page from your PDF to the printer, to the desired drum.Ģ) The printer reads the file's greyscale values and encoded data to generate its interpretation of your imageģ) The printer creates a thermal "master," akin to a silk screen, and wraps it around the color drum.Ĥ) The printer pulls a sheet of paper from the paper feed tray into the machine.ĥ) The color drum rotates as the paper is fed through the machine, leaving a color "impression" on the sheet of paper.Ħ) We inspect and align the color as needed on the sheet, and interlock it with any existing colors.ħ) We run the edition, making adjustments as needed, and the paper exits the machine in a stack.Ĩ) We take the stack & jog it into a neat and flush pile, ensuring that it goes through the machine in a consistent manner.ĩ) we repeat steps 1-6 for each color on each page of the entire project.ġ0) Once complete, we allow to stack-dry for a few days to allow the ink to set before moving onto the finishing process.ġ) We clear a surface (or surfaces) and lay out each printed sheet, all facing in the same direction, in first-to-last order. On this same note, ask yourself if your project could be less pages, less ink, etc.īe aware slight color skew and other imperfections may occur and is a normal feature in this method of high-speed high-volume printing. Sheets can be trimmed to create multiples. Beware white type on black background will fill in slightly.ĭo not pre-apply any halftones to images, the riso will do this.įlatten all effects and transparencies on complicated documents, otherwise you may get undesired artifacts in your printĪllow for at least 1/4 an inch on all sides of printed sheet (full bleed print is impossible, but trimming is possible.) Add crop marks if necessary.Ĭonsider printing multiple images on a single sheet, or “ganging up,” to save resources and double output when possible. ![]() We have some tutorials on our resource page if you are interested.įor any small typography, convert to from “live type” to outlines (cmd+o) and change the fill color from black to “registration black.” Do not set type below 7pt. Whether you use a color profile like colorlibrary.ch to automatically create basic channels, follow a youtube tutorial, or wing it, there is not necessarily a wrong way, just different ways. There are many different ways to create color separations from a multi-colored file. The above is an example of a poorly trapped and poorly aligned image. This has to do with the density of the liquid ink and the physics going through machine and onto paper.įor any areas of color-fill or block-color printing, consider adding “trapping.” These are areas which “line” and “fill” overlap each other to create a pocket of double ink, rather than white space, during color alignment. For example 50% Red and 50% Blue will combine better than running both at 100%. Color flats will always have a variance in color coverage, sometimes called a "tide mark."Ĭolors mix better when you pair two lower-to-medium opacity colors with each other. Beware large flats may smudge and we may alter your file slightly for optimal printing. For each color layer you want to print, Make a 300 DPI PDF in Greyscale at actual size and labelled by color, exported as single pages (as opposed to spreads.) For example a 2-color print would be: “filename_red.pdf” and “filename_black.pdf.” Repeat this process for each page and enclose full-color reference images when necessary.įor any large color flats, reduce to 80% opacity.
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